Philosophy Petruk
Children gandarwa (compatriots came to), to be adopted both Semar after another Gareng.Nama Petruk is Kanthong Bolong, meaning like berdema. Doblajaya, means clever. Among his brother (Gareng and Bagong) Petruklah the most intelligent and articulate.Petruk lived in Pecuk Pecukilan. He has one child were Bambang Curvature Kusuma (a beautiful) wife named Dewi Undanawati. As the clown-servant his master Petruk always entertaining when the kesusahaan accept trials, remind when to forget, to defend when abused. The point can momong, momot, momor, Mursid and murakabi.
1. momong ..................................... means it can take care of.
2. momot ....................................... means that can contain any complaint of his master, can hide the problem.
3. Momor ...................................... means not hurt when criticized and not easily pleased when praised.
4. Mursid ....................................... smart as a man of means, know the will of his master.
5. Murakabi ................................... that is useful for others.
At one time losing talisman Kalimasada Pandavas. This means that the Pandavas lost talisman paralyzed due to loss of wisdom and prosperity, keangkaramurkaan surfaced everywhere. This amulet is stolen by Mustakaweni. Knowing it and Bambang Irawan Bambang Priyambodo (son of Arjuna), accompanied by Petruk try to grab the amulet from the hands Mustakaweni. The talisman finally been won and entrusted to Petruk.Meanwhile the Duke of Karna was also desirous to have the amulet. Petruk was stabbed with a powerful keris is Kyai Starling, Petrukpun died instantly. Over his father's supernatural powers (gandarwa) Petruk turned on again. Then her father wanted to help Petruk to change into Duryudana. when Karna met Duryudana Kalimasada amulet given to him. Karna knows how surprised have been deceived by gandarwa. Eventually such a talisman by gandarwa handed back to Petruk, and he advised that the enemy must be carefully Petruk and amulets were asked to put on his head. Apparently after the amulet was applied as recommended by his father Petruk becomes very powerful, does not work any weapon. Karna-can dikalahkannya.Tak Petruk was finally separated from his master Bambang Irawan. Petrukpun wandering, all countries including the country Ngrancang ditakhlukkannya Kencana. Petruk becomes king there and hold King Wel Keduwelbeh. While the original king of the subordinates. That's when Punakawan when it issued a miracle no human being can match it.When will mewisuda him, all the kings who conquered vassal state present included Astina. Which has not only the Pandavas, Meliá, and Mandura. At first negar the three kings did not want to attend, but after the Pandavas and the King finally defeated Mandura Dwarawati (Arjuna) handed this to Semar. By Semar Gareng and Bagong proposed as representative of Dwarawati. There followed a very lively battle between King Wel Keduwelbeh with Gareng and Bagong, war is not over soon because there are no winners and no losers, until all three sweaty. Gareng and Bagong finally able to recognize the smell of sweat and his brother Petruk sure that people who took it real fight is Petruk, then they are no longer fighting supernatural powers but instead take a joke, berjoged together, with various songs and dances. Wel Geduwelbeh felt himself returning to their habitat, forgetting that he's wearing royal clothes. After the recall .... He immediately fled the Gareng and Petruk. Wel Geduwlbeh pursued by Gareng and Bagong after being caught, the prabu hugged and tickled by the Bagong until Petruk returned to its original form.Once open all Petruk asked by Krishna why he acted that way. He reasoned that the act was to remind his master that all behavior must be considered first. For example when building a temple of Sapta Arga, the kingdom was left empty, so lost talisman Kalimasada. Bambang Irawan do not easily trust anyone. When given the task to completion do not entrusted to anyone. After becoming king do not be arrogant and underestimate the little people, because the little people when it's angry / rebel leader can get messy. This is how Petruk want to awaken their masters, because if openly certainly not trusted may even get yelled at.However Petruk feel guilty, then she apologized. Petruk Pandawapun finally forgive and gladly accept advice Petruk.Core of character education that can be drawn from the story above:
1. Mind and character can not be measured from the appearance / physical, but with real behavior.
2. Subordinates must be loyal to the boss
3. Task to completion and this will be managed properly
4. Do not seize the rights and property of others
5. All actions should be with the full calculation, do not be careless and hasty decision.
6. milikilah momong character, momot, momor, shaikh, and murakabi
7. If one should dare to admit and apologize
Bebadra = Establish a means of basic
Naya = Nayaka = envoy mangrasul
Meaning: Mengembani properties to build and execute the command of God for human welfare
Philosophy, Biological Semar
Javanologi: Semar = Haseming faint (literally meaning The phenomenon of the life of the guide). Semar is not men and not women, his right hand his left hand upward and backward. Its meaning: "As a person wants to say symbolic figure semar The Supreme Tumggal". Moderate left hand means "total and absolute surrender and selakigus symbol keilmuaan neutral but sympathetic."
Domicile is a headman semar karangdempel / (coral = arid) = near to persistence of the soul. Hair semar "crest" (jarwadasa / ancient Javanese proverb) meaning about to say: akuning the crest = a waiter's personality.
Semar as a waitress to serve the people was expressed, no strings attached, to practice their religion amaliah accordance with the Divine Word. Semar barjalan facing upwards meaning: "the human embodiment of our children set an example so that he always looked up (the Creator) the merciful and compassionate people."
Cain semar Parangkusumorojo: Dewonggowantah embodiment (to guide human) in order memayuhayuning bawono: hold justice and righteousness on earth.
Semar characteristic figure is:
Semar berkuncung as a child: a child, but also looking very old
Semar tertawannya always ended weeping tone
Semar-faced crying eyes but his mouth laughing
Semar-profile standing as well squat
Semar never told but it gives the consequences of his advice
Javanese culture has given birth in the form of religious belief in one God, namely the form of puppet figures of Semar, long before the influx of Hindu, Buddhist and Isalam in Java.
Among Javanese spiritual, puppet figures of Semar was viewed not as historical fact, but more a mythology and symbolis about KeEsa's, namely: A symbol of the manifestation of expression, perception and understanding of the divine which shows the spiritual conception. This understanding is nothing but a strong evidence that the Javanese since prehistoric times and the air is Relegius keTuhan's the Almighty.
From the figure Semar this puppet will be peeled, understood and lived up to where the form of religion that have been born by the Javanese culture.
Figure Semar figure seems to be a symbol of understanding or conception of the divine aspect of nature, which when read it said she was sound:
Semar (pralambang ngelmu Unseen) - kasampurnaning starch.
Bojo sira arsa Kamardikan mardi, Ajwa vague sumingkiring dur-kamurkan Mardika means "merdekanya soul and spirit", meaning in a state not ruled by lust and worldliness, that in a perfect death to the unsullied by sin. Java is a true human soul in a clean (ing kadonyan kebanda ora, ora vague Marang bisane vanished durka your wrath) means: "in a test of character is really going to be able to control and direct the passions become a force towards the perfection of life".
Philosophy Ha-Na-Ca-Ra-Ka in the play Semar Mbabar Self
In Javanese Ethics (Sesuno, 1988: 188) stated that in the puppet is the clown-servant Semar "Servant" Pamomong "most loved. If it appears in front of the screen, he was greeted by a wave of sympathy for the audience. As if the audience feels under pengayomannya.
Sympathy of the audience had something to do with the mythology of Java or archipelago which assumes that Semar is a character who originated from Java or Nusantara (Hazeu in Mulyono 1978: 25). He is a native god of the most powerful Java (Brandon in Suseno, 1988: 188). Despite the simple look, as a commoner, even as a servant, Semar is a god who overcomes all gods. He is the god who ngejawantah "incarnate" (a man) who later became the civil warriors of the Pandavas and the other major unbeaten run.
Hence the Pandavas were the ancestors of the kings of Java (Poedjowijatno, 1975: 49) Semar is believed to be the civil and Danyang Java and all over the world (Geertz 1969: 264). He is the wisest person of value thanks to the attitude of his heart and not because of his birth and keterdidikannya (Suseno 1988: 190). He is a selfless officials, rame ngawe ing "will mean quiet, diligent in work and memayu hayuning bawana" maintain world peace (Mulyono, 1978: 119 and Suseno 1988: 193)
In terms of etymology, joinboll (in Mulyono 1978: 28) argues that Semar is derived from the sar which means ray of "light". so Semar means something that emits light or the god of light, so he called Nurcahya or Nurrasa (Mulyono 1978: 18) that dwells within him there or Muhammad Nur, Nur divine or divine nature. Semar who have a vague manner and form, but has all the advantages already mentioned, it is a symbol of the Divine nature as well (Mulyono 1978: 118 - Suseno 1988: 191). Accordingly, Prodjosoebroto (1969: 31) argues and illustrates (in the form of calligraphy) that Semar jasat filled with the Word of Allah.
Divine nature is also shown as badranaya which means "loving leadership" that is full of leaders with compassion (Timoer, nd: 13). Semar also can be used as a symbol of a sense of being aware of "sense memory" (Timoer 1994: 4), which is remembered to the Creator and all creations of the universe. Therefore, the same divine nature, be a symbol Semar kebatinan Sapta Darma (Mulyono 1978: 35)
With regard to the mythology that merekfleksikan all the advantages and the divine in the person of Semar, the ideas that arise in staging puppet theater presented "Semar Mbabar Self". idea came from President Suharto in front of the puppeteers who are following the Plenary Meeting in Jakarta on Pepadi, 20-23 January 1995. Tujuanya to be the mastermind behind the success of the program participate in the development of fully human government, including familiarization P4 (Cermomanggolo 1995: 5). The idea was welcomed by holding the play the puppeteer is. The mastermind who had staged the play, among others: Gitopurbacarita, Panut Darmaka, Anom Suroto, Subana, Cermomanggolo and Manteb Soedarsono (Cermomanggolo 1995: 5 - Arum 1995: 10). Raised by Arum (1995:10) that in staging a puppet with the plays "Semar Mbabar So Self" is expected to be able to understand and appreciate audience kawruh sangkan Paraning dumadi "science of the origin and purpose of life, were excavated from Javanese philosophy Ha-Na-Ca -Ra-Ka. Understanding and appreciation kawruh sangkan Paraning dumadi sourced Javanese philosophy is in line with the thinking Soenarto Timoer (1994:4) that the philosophy of Ha-Na-Ca-Ra-Ka meaning as a resource that can provide guidance and a role model to the safety of life . Resources that can be symbolized by Semar berpengawak dentawyanjana literature. Even if the opinion refers Warsito (in Ciptoprawiro 1991:46) that the Javanese script was created Semar, it is fitting if the understanding and appreciation of the kawruh sangkan Paraning dumadi philosophy springs Ha-Na-Ca-Ra-Ka
Gareng is a clown-servants-legged limp. This is a sanepa Gareng nature as a subject of which is always careful in acting. In addition, physical disability Gareng the other is the hand that ciker or broken. This is sanepa Gareng have properties that do not like to take the property rights of others. Told that his right heel exposed to such diseases bubul.
In a carangan Gareng never became king in Paranggumiwayang with Pandu Pragola title. At that time he managed to defeat King Welgeduwelbeh king of Borneo which is a manifestation of his own brother is Petruk.
Formerly, Gareng intangible handsome knight named Bambang Sukodadi of pedepokan Bluktiba. Gareng very powerful but arrogant, so it is always challenging duel every knight he encountered. One day, when just finished his meditation, he met another knight named Bambang Panyukilan. Due to a misunderstanding, they instead fight. From the results of the fight, nobody wins and loses, even their faces were both damaged. Then came Batara Ismaya (Semar), which then compose them. Because this is a civil Ismaya Batara the Pandava warriors who walk in the truth, then in the form of Samara Jangganan Anta, he (Ismaya) give advice to the two warriors who had just fought it.
Because Batara Ismaya amazed by counsel, the two warriors were asked to serve and have children by the village chief purportedly Kadempel Coral, incarnation of the god (Batara Ismaya) it. Finally Jangganan Anta Samara willing to accept them, as long as the two warriors were willing to accompany him into the civil knights virtuous (the Pandavas), and eventually they both agreed. Gareng later appointed as the eldest son (eldest) of Semar.
philosophy :
Gareng Other names are: Pancalpamor: means resist worldly temptations). Pegatwaja: teeth as a symbol that means Gareng not like to eat delicious food that is wasted energy and money and also invite disease.
Nala Gareng: liver dry, drier than worldly wishes, so he was always doing good without the element of coercion or intimidation of hell and the lure of paradise, deeds Gareng is an offering from the heart as a dedication to Him, the Almighty.
Gareng is second only to the clown-servant Semar. Gareng physical characteristics:
Crossed eyes: that is not willing to see things that invite crime, because the view is one important element in influencing patterns of thought. The perception formed from view will affect the mindset, and mindset that then affect consciousness. Read Sight vision Culturing Cultivating Art To Life Happy And Balance
Czech hand (curved): it means not taking / seizing the rights of others. Contented with what he owned, always be thankful that's the key self-satisfaction.
Sikil gejik (like limping): that is always full of vigilance in all behavior. And only travel if there is something important. It could also be interpreted to perform an action if it feels right and proper.
In riwayatkan Gareng been transformed as a king named King Pandu Bergola in Parang Gumiwang kingdom. He mandraguna magic, all the king's conquests. But he wanted to try the royal Amarta (where he (Gareng) served as a clown-servants). All the defeat knight pandawapun. Meanwhile Semar, Petruk and Bagong very confused because Gareng departure. They still do not know if it was King Pandu Bergola Gareng.
Fortunately, the Pandavas have accomplished advisor, namely Arjuna. He suggested to Semar, if he wanted to meet with Gareng Petruk to let it go for face Bergola Pandu. Semar respond with words of Krishna, while the liver Petruk become discouraged.
Petruk think All the Pandava king also include Pandu Bergola just defeated, what would happen if he is to face it. Seeing uncertainty Petruk, Semar approached and whispered something to him. After that Petruk becomes a spirit and joy, then he set off to face Bergola Pandu.
When Pandu Bergola've been dealing with Petruk, he always backs (not face to face), if forced to come face to face he always looked down. But Petruk always urged to compete. Finally there was a very lively duel, full of humor and magic.
When the struggle occurred Pandu Bergola transformed into Gareng. But Petruk have not noticed. The struggle continued until the end of Semar separate the two.
Once you know the original form of Pandu Bergola Petruk clung to her brother (Gareng) with great delight. all the Pandavas come rejoice servant has returned.
Gareng asked by Krishna, why do something like that. he replied that he wanted to remind his masters (the Pandavas), do not forget because it was prosperous, so less / lose caution and vigilance. What if the country attacked the enemy with a sudden? countries will be destroyed and people suffer. So before all that happens Gareng reminiscent of the king, that as a leader and also as a human being must always be alert and always do introspection.
In this case, called the Semar as pamomong Punokawan Saptaarga descent accompanied by her three children, namely; Gareng, Petruk and Bagong as accompanist Pandava warriors. Their presence is often only considered as additional and less calculated to deliver a joke, but often determines the direction of change.
The fifth character is occupying an important position in the wayang story. The story begins They start from a monastery or hermitage Saptaarga other. After obtaining a wide range of knowledge and advice from the Begawan, they go down the mountain to the practice of science that has been obtained, by doing penance ngrame. In the journey, the journey must accompany Punokawan Knights in entering the "forest", entered the field life of a field that has never known, dark, full of shrubs, many wild animals, confronting the evil creatures that are ready, even if the guard can be life-threatening, thus successfully out "forest" in peace, until the Knights can get rid of all obstacles and successfully completed his task safely.
Semar is a divine picture of the organization involved in human life proceeds. To further clarify the role of Semar, the figure of Semar is equipped with three other figures. Into four Punokawan is a symbol of creativity, taste, intention and work.
Semar has a prominent characteristic is a white crest. White tuft on the head as a symbol of the mind, a clear idea or copyright.
Gareng have prominent features that squint-eyed, handed throbbing pain and a limp-legged. Into three physical disability that symbolize taste. Squint eye, is a sense of alertness, hand throbbing pain is a sense of thoroughness and legs limp is a sense of prudence.
Petruk is a symbol of the will, desire, intention described in his hands. If it is moved, both hands are like two people who work well together. Hand pointing forward, choose what you want, hands clutched behind what has been selected.
Cumbersome with two hands of the fifth finger wide open, meaning is always willing to work hard.
Creativity, sense, initiative and the work is a unity that can not be separated. Creativity, sense, initiative and work in a region called personal or human identity, symbolized by figures Knights. Picture of the ideal man is a picture of the whole human person, where copyrighted, feeling, willing and able to occupy the work of their respective functions harmoniously, to then go hand in hand towards a noble ideals. Thus it becomes clear that between the Knights and Punokawan significant relationship. Knight figures will be successful in life and achieve the ideals if based on a clear mind (creativity), sincere heart (feeling), the will, determination (intention) and willing to work hard (work).
Symbolization knights and four servants, similar to 'ngelmu' sedulur papat five pancer. Sedulur papat is Punokawan, five pancer is Ksatriya. Pancer position at the center, flanked by two older brothers (Kakang mbarep, Kakang crater) and two younger brothers (adi adi ari-ari and wuragil). Ngelmu sedulur papat five pancer stems from the realization of the beginning man was created and the ultimate goal of human life (Sangkan Paraning dumadi).
Beginning man was created starting from the moment of the birth. Before the baby (baby, in this context is pancer) was born from the womb of the mother, who appears first is the anxiety of the mother. Anxiety was called Kakang mbarep. Then on the eve of the baby was born, out of clear liquid or banyu crater as a lubricant, to protect the baby, so that the birth process smooth and baby soft skin no abrasions or injured. Banyu crater called Kakang crater. After the baby is born will be followed by the release of the placenta and blood. Adi called placenta and umbilical cord blood is called Adi wuragil.
Ngelmu sedulur papat five pancer stress that, human beings are born into this world is not alone. There are four brothers who accompanied. Pancer is true and sedulur suksma papat is a true sport. United suksma true and genuine birth of a living body.
The relationship between pancer and sedulur papat in life, portrayed with a coachman in control of a carriage, drawn by four horses, red, black, yellow and white. Sais train symbolizes the freedom to decide and do something. Red horse symbolizes energy, excitement, a black horse symbolizes the biological needs, yellow horse symbolizing the spiritual needs and the white horse symbolizes silence, chastity. As a coachman, of course not easy to control the four horses which vary in nature and each other needs. If the coachman able to control and cooperate with the ponytail into four well-balanced, then the train will run smoothly to the final destination "The Sangkan Paraning dumadi"
